- the merchant of venice osmanthus
William Shakespeare (1564-1616) was an English poet, playwright, and actor, considered by many as the greatest English writer. Hundreds of specialists were able to translate his works into every major language, and most of the plays are performed more often than those of any other author. The Merchant of Venice is one of Shakespeares most famous plays. The action takes place partly in Venice and Belmonte. Young Bassanio, who is in debt, decided to marry rich beauty Portia and asks his friend, merchant Antonio, for help. Antonio decides to help him and takes money from a local usurer Shylock. Under the terms of the bill, if he does not return the debt on time, Shylock has the right to cut a pound of meat from the merchants body.
Edited, introduced and annotated by Cedric Watts, Professor of English Literature, University of Sussex The Merchant of Venice is one of Shakespeares most popular comedies, but it remains deeply controversial. The text may well seem anti-Semitic; yet repeatedly, in performance, it has revealed a contrasting nature. Shylock, though vanquished in the law-court, often triumphs in the theatre. He is a character so intense that he can dominate the play, challenging abrasively its romantic and lyrical affirmations.
Bassiano, a Venetian nobleman, hopes to woo the beautiful heiress Portia. To do so, his friend Antonio must help him to secure a loan, borrowing from the Jewish moneylender Shylock. As recourse for past ills, Shylock stipulates that the loans forfeit must be one pound of Antonios flesh -a revenge he hopes to exact when disaster strikes. In the fierce battleground of the courtroom, Portia proves herself one of Shakespeares most cunning heroines, her intellect as a lawyer weighed against Shylocks plea for tolerance. Viewed contradictorily as anti-Semitic and powerfully liberal for its time, The Merchant of Venice is at its core a bittersweet drama, exploring the noble themes of prejudice, justice and humanity.
Winner of the 2011 Independent Publisher Book Awards Gold Medal in the Travel Guidebooks category! Discover the secrets of St. Marks Basilica with not a tourist in sight, finally crack the mystery of the pillars around the Doges Palace, take a trip on the only underground canal in Venice in search of the alchemical sculpture of the winged horse, lunch at a restaurant tucked away in a lagoon fishermans house, track down Teriaca, that miracle potion brewed in Venice from time immemorial, decode the paintings of the Scuola di San Rocco applying the principles of the Jewish Kabbalah and see how Kabbalistic music influenced the construction of San Francesco della Vigna, visit an unknown underground cemetery, stroll through unsuspected gardens beyond the gates of palazzos and monasteries, admire the extraordinary forgotten library of the Venice Seminary, sleep in a sublime bedroom concealed within a palazzo, go shopping in Giudecca womens prison market, play petanque in the heart of the city, retreat to a wonderful lakeside monastery, away from the crowds... Five years of research have gone into the compilation of this exceptional guide, an opportunity for all who love Venice, as well as Venetians themselves, to leave the beaten track far behind and rediscover the most extraordinary city in the world. Edition 2.0.
The gorgeous and wonderful reality of Venice is beyond the fancy of the wildest dreamer, wrote Charles Dickens on his first trip to the city in 1844. This new title in the Michelin Green Guide series reveals the treasures and the charms of the legendary lagoon city that has never ceased to captivate and inspire travellers.
The Wordsworth Classics Shakespeare Series, with Henry V and The Merchant of Venice as its inaugural volumes, presents a newly-edited sequence of William Shakespeares works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal. Othello has long been recognised as one of the most powerful of Shakespeares tragedies. This is an intense drama of love, deception, jealousy and destruction. Desdemonas love for Othello, the Moor, transcends racial prejudice; but the envious Iago conspires to devastate their lives. In its vivid rendering of racism, sexism, contested identities, and the savagery lurking within civilisation, Othello is arguably the most topical and accessible tragedy from Shakespeares major phase as a dramatist. Productions on stage and screen regularly renew its power to engross, impress and trouble the imagination. Полный, неадаптированный текст произведения.
Joseph Conrads first novel Almayers Folly is a tale of personal tragedy as well as a broader meditation on the evils of colonialism. Set in the lush jungle of Borneo in the late 1800s, it tells of the Dutch merchant Kaspar Almayer, whose dreams of riches for his beloved daughter, Nina, collapse under the weight of his own greed and prejudice. Conrad established in Almayers Folly the themes of betrayal, isolation, and colonialism that he would explore throughout the rest of his life and work.
James Fenimore Cooper was a prolific and popular American writer of the first half of the 19th century. His historical romances of frontier and Indian life in the early American days created a unique form of American literature. Miles Wallingfordis a classic Coopers sea adventure novel about merchant mariners and serves as a sequel to the sea adventure classic, Afloat and Ashore.
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Edited, Introduced and Annotated by Cedric Watts, Professor of English Literature, University of Sussex. The Wordsworth Classics Shakespeare Series, with Romeo and Juliet, Henry V and The Merchant of Venice as its inaugural volumes, presents a newly-edited sequence of William Shakespeares works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal. Its lyricism, comedy (both broad and subtle) and magical transformations have long made A Midsummer Nights Dream one of the most popular of Shakespeares works. The supernatural and the mundane, the illusory and the substantial, are all shimmeringly blended. Love is treated as tragic, poignant, absurd and farcical. Lord, what fools these mortals be!, jeers Robin Goodfellow; but the joke may be on him and on his master Oberon when Bottom the weaver, his head transformed into that of an ass, is embraced by the voluptuously amorous Titania. Recent stage-productions of A Midsummer Nights Dream have emphasised the enchanting, spectacular, ambiguous and erotically joyous aspects of this magical drama which culminates in a multiple celebration of marriage.
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